1. Egyptian mani/pedi

    Egyptian mani/pedi

  2. oly gold. seattle.

    oly gold. seattle.

  3. paisley and gold.

    paisley and gold.

  4. a weapon to kill me

    a weapon to kill me

  5. most recent addition to the adidas arsenal

    most recent addition to the adidas arsenal

  6. moneypenny needs new shoes theblackworkshop: Custom Gold Ronal Wheels

    moneypenny needs new shoes

    theblackworkshop:

    Custom Gold Ronal Wheels

  7. yes, please. i would like this as my front door.

    yes, please. i would like this as my front door.

    (Source: airows)

  8. animalstalkinginallcaps: NO. NO, NO, NO. I REFUSE TO ENTERTAIN THE THOUGHT. OH, DO STOP BEING DIFFICULT. YOU’RE RATHER CHURLISH WHEN YOU’VE HAD TOO MUCH CHAMPAGNE. FIRST OF ALL, CAMILLE, I WOULD APPRECIATE IT IF YOU ACKNOWLEDGED THAT I’VE HAD TOO MUCH 1907 PIPER HEIDSIECK MONOPOLE, FOR WHICH I PAID $33,000 A BOTTLE. TO HEAR YOU TALK I’M STOMPING AROUND THE HOUSE IN A FIT OF KORBEL-INDUCED PIQUE. SECONDLY, I’M NOT BEING DIFFICULT. I’M BEING DISCERNING. JUST BECAUSE YOU BOUGHT ANOTHER RENOIR DOESN’T MEAN WE’RE SIMPLY GOING TO HANG IT WILLY-NILLY. THE DÉCOR IN THIS ENTIRE WING OF THE HOUSE IS ALMOST DIAMETRICALLY OPPOSED, VISUALLY, TO EARLY IMPRESSIONIST PIECES. IT’S NOT IMPRESSIONIST. IT’S FROM HIS ‘INGRES’ PERIOD, AND I QUITE LIKE IT. I THINK IT WOULD LOOK GOOD IN THE LIBRARY. DO TELL ME YOU’RE JOKING. YOU DIDN’T REALLY BUY A RENOIR FROM THE DRY PERIOD, DID YOU? UMBRELLAS, ACTUALLY. SOMETHING ABOUT IT SPOKE TO ME. REALLY? DID IT SAY “HELLO, CAMILLE. YOU OBVIOUSLY KNOW NOTHING ABOUT ART.  I AM ONE OF THE FEW DEMONSTRABLE FAILURES IN AN OTHERWISE CRITICALLY LAUDED MASTER’S CAREER! TAKE ME HOME WITH YOU! HANG ME ABOVE THE BIDET!” … YES. YOU’VE CUT TO THE THICK OF IT. THAT IS WHAT THE PAINTING SAID WHEN IT LITERALLY SPOKE TO ME. ASSHOLE.

    animalstalkinginallcaps:

    NO. NO, NO, NO. I REFUSE TO ENTERTAIN THE THOUGHT.

    OH, DO STOP BEING DIFFICULT. YOU’RE RATHER CHURLISH WHEN YOU’VE HAD TOO MUCH CHAMPAGNE.

    FIRST OF ALL, CAMILLE, I WOULD APPRECIATE IT IF YOU ACKNOWLEDGED THAT I’VE HAD TOO MUCH 1907 PIPER HEIDSIECK MONOPOLE, FOR WHICH I PAID $33,000 A BOTTLE. TO HEAR YOU TALK I’M STOMPING AROUND THE HOUSE IN A FIT OF KORBEL-INDUCED PIQUE. SECONDLY, I’M NOT BEING DIFFICULT. I’M BEING DISCERNING. JUST BECAUSE YOU BOUGHT ANOTHER RENOIR DOESN’T MEAN WE’RE SIMPLY GOING TO HANG IT WILLY-NILLY. THE DÉCOR IN THIS ENTIRE WING OF THE HOUSE IS ALMOST DIAMETRICALLY OPPOSED, VISUALLY, TO EARLY IMPRESSIONIST PIECES.

    IT’S NOT IMPRESSIONIST. IT’S FROM HIS ‘INGRES’ PERIOD, AND I QUITE LIKE IT. I THINK IT WOULD LOOK GOOD IN THE LIBRARY.

    DO TELL ME YOU’RE JOKING. YOU DIDN’T REALLY BUY A RENOIR FROM THE DRY PERIOD, DID YOU?

    UMBRELLAS, ACTUALLY. SOMETHING ABOUT IT SPOKE TO ME.

    REALLY? DID IT SAY “HELLO, CAMILLE. YOU OBVIOUSLY KNOW NOTHING ABOUT ART.  I AM ONE OF THE FEW DEMONSTRABLE FAILURES IN AN OTHERWISE CRITICALLY LAUDED MASTER’S CAREER! TAKE ME HOME WITH YOU! HANG ME ABOVE THE BIDET!”

    … YES. YOU’VE CUT TO THE THICK OF IT. THAT IS WHAT THE PAINTING SAID WHEN IT LITERALLY SPOKE TO ME. ASSHOLE.